Assignment 2: Post Submission Reflection

Technical and Visual Skills Aspect Ratios – In response to Adams’ Summer Nights Walking (ASX, 2010), I shot an earlier exercise in square format.  I was hoping to achieve a focus on the key subject of the image and I found that this worked for the exercise but not so well for this assignment where I found […]

Assignment 2: Draft Submission

Artist’s Statement Outside Stroud’s town centre lie the edgelands, its five valleys dotted with weaving mills, canals and other relics of industry-past slowly decaying, curiously becoming more picturesque as time marches on.  These valleys, the landscape, continue their journey, nature reclaiming what it never really gave up.  Go further and you will find the true countryside, this is where Toadsmoor Valley can be found, […]

Photographer: Edward Burtynsky

Burtynsky has created a number of different projects each of which is a typology of a different industrial scene shown within the surrounding landscape.  His website (Photographs — Edward Burtynsky, n.d.) shows these collections as individual typology collections that include Water, Oil, Mines and Quarries. Each collection is strict to its typology.  It would have been possible […]

Exercise 2.6: Edgelands

We were asked to read the chapters Power and Wire from Edgelands (Farley, P. and Roberts, M.S., 2011).   Wire Of the two chapters, Wire for me was the closest to bringing to life Edgelands, an area that marks a boundary between town and countryside marked by a “cross-hatch of wire”.  The chapter talks of wire acting […]

Exercise 2.5: Text in Art

Write down 12 – 24 brief observations during a short walk or journey by some means of transport A walk in Toadsmoor Valley Back in an hour Go this way Gate after gate Guided by wires Or penned by wires? Protecting the unspoilt or spoiling? A house, another house, and another Another gate Glimpses of […]

Photographer: Pieter Hugo, Permanent Error

Hugo’s series Permanent Error is taken in Agbogbloshie and area of land outside Accra, Ghana (Hugo, 2010).  It is an area where discarded computer equipment is disassembled and broken down into their base parts.  In Hugo’s words it is a “dark and dirty monument to the digital age”. When I first looked at Hugo’s images I was […]

Photographer: Frank Watson, Soundings from the Estuary

Watson, a Senior Lecturer in Photography at Westminster University (Watson, n.d.) has produced a number of sets of images that portray the relationship between man and land and in particular, ‘the spatial relationship between landscape and architecture’ (ibid.) Whilst studying LPE this is a topic that I have become very interested in.  His series Soundings from […]

Photographer: Alec Soth, Sleeping by the Mississippi

I researched Alec Soth’s Sleeping by the Mississippi (Soth, 2004)) and in particular his interview by Schuman in See Saw Magazine (Schumann, 2004). Quotes given in this piece are from that magazine article. The first thing that strikes me when I look at the series that whilst it is inspired by a journey along the […]

Exercise 2.1: Territorial Photography

Exercise Review the paper “Territorial Photography” by Joel Snyder, published in the book “Landscape and Power” by Mitchell, W.J.T. (2002). The University of Chicago Press. Review of Paper Snyder starts by stating that when photography was first emerging (1830s) people were unsure what it is was for or how it should be considered.   By the […]